翻訳と辞書
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・ The Social Liberals (Austria)
・ The Social Life of Information
・ The Social Lion
・ The Social Network
・ The Social Network (soundtrack)
・ The Social Network Song
・ The Social Registry
・ The Social Right
・ The Social Seminar
・ The Social Significance of the Modern Drama
・ The Social Transformation of American Medicine
・ The Snake and the Crab
・ The Snake and the Farmer
・ The Snake and the Stallion
・ The Snake Brothers
The Snake Charmer
・ The Snake Corps
・ The Snake Decides
・ The Snake in the Thorn Bush
・ The Snake King
・ The Snake King's Child
・ The Snake King's Grandchild
・ The Snake King's Wife
・ The Snake King's Wife Part 2
・ The Snake Pit
・ The Snake Prince
・ The Snake Stone
・ The Snake the Cross the Crown
・ The Snake Woman
・ The Snake's Pass


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The Snake Charmer : ウィキペディア英語版
The Snake Charmer

''The Snake Charmer'' is an oil-on-canvas Orientalist painting by French artist Jean-Léon Gérôme produced around 1879.〔http://www.clarkart.edu/Collection/559〕 It is signed "J.L Gerome 1880".
==Subject==
The painting depicts a naked boy standing on a small carpet in the centre of a room with blue tiled walls, facing away from the viewer, holding a python which coils around his waist and over his shoulder, while an older man sits to his right playing a fipple flute. The performance is watched by a motley group of armed men from a variety of Islamic tribes, with different clothes and weapons.
The work measures . It is a highly finished academic painting, with a synthesis of Egyptian, Turkish, and Indian elements creating a voyeuristic fantasy for Western audiences. Adult snake charmers didn't perform naked since Islam prohibites that, but children did, in order to create more suspence in the spectator: seeing a poisonous snake held by an unprotected, stark naked boy was more thrilling than seeing it held by a strong, clothed man. Also, child nudity was highly accepted. However, the painting has hint of sublimated homoeroticism, with the buttocks of the naked boy at the centre of the painting and his muscled body wrapped in the coils of a phallic snake observed by a group of clothed males. The scene is made acceptable for a 19th-century western audience by its oriental setting.
Gérôme made the painting on a visit to Constantinople in 1875, and his observations informed details of the painting. The inscriptions on the walls cannot easily be read, but parts are in Arabic; one has been identified as a verse from the Koran and others as a dedication to a sultan. The blue tiles are inspired by İznik panels in the Altinyol and Baghdad Kiosk of Topkapi palace.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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